1

Raging emotions, dead tissue.

Polar opposites was the way Jeremy Carrier had always seen it.

In a hospital setting, no two disciplines were less connected than psychology and pathology. As a practitioner of the former, Jeremy prided himself on an open mind; a good psychotherapist worked hard at avoiding stereotypes.

But during all his years of training and clinical work at City Central Hospital, Jeremy had met few pathologists who didn't fit a mold: withdrawn, mumbly types, more comfortable with gobbets of necrosed flesh, the abstract expressionism of cell smears, and the cold-storage ambience of the basement morgue, than with living, breathing patients.

And his fellow psychologists, psychiatrists, and all the other soldiers of the mental health army, were, more often than not, overly delicate souls repelled by the sight of blood.

Not that Jeremy had actually known any pathologists, even after a decade of passing them in the hallways. The social structure of the hospital had regressed to high school sensibilities: Us-Them as religion, a lusty proliferation of castes, cliques, and cabals, endless jockeying for power and turf. Adding to that was the end-means inversion that captures every bureaucracy: the hospital had devolved from a healing place needing funds to treat patients to a large-scale municipal employer requiring patient fees to meet its staff payroll.

All that created a certain asocial flavor.

A confederacy of isolates.

At City Central, like was attracted to like, and only the last-ditch necessities of patient care led to cross-pollination: internists finally admitting defeat and calling in surgeons, gen- eralists taking deep breaths before plunging into the morass of consultation.

What reason could there be for a pathologist to contact a psychologist?

Because of all that--and because life's hellish wrist-flick had turned Jeremy Carrier into a tormented, distracted young man--he was caught off-balance by Arthur Chess's overture.

Perhaps Jeremy's distractibility formed the basis for all that followed.



For nearly a year, Jeremy had seen Arthur once a week, but the two men had never exchanged a word. Yet here was Arthur, settling down opposite Jeremy in the doctors' dining room and asking if Jeremy cared for company.

It was just before 3 p.m., an off-hour for lunch, and the room was nearly empty.

Jeremy said, "Sure," then realized he was anything but.

Arthur nodded and settled his big frame into a small chair. His tray bore two helpings of fried chicken, a hillock of mashed potatoes glazed with gravy, a perfect square of corn bread, a small bowl of succotash, and a sweating can of Coca-Cola.

Staring at the food, Jeremy wondered: Southern roots? He tried to recall if Arthur's voice had ever betrayed Southern inflections, didn't think so. If anything, the old man's baritone was flavored by New England.

Arthur Chess showed no immediate interest in conversation. Spreading a napkin on his lap, he began shearing through the first piece of chicken. He cut quickly and gracefully, using long fingers tipped by broad nails stubbed short. His long white lab coat was snowy-clean but for a disturbing spatter of pinkish stains on the right sleeve. The shirt beneath the coat was a blue pinpoint Oxford spread-collar. Arthur's magenta bow tie hung askew in a way that suggested intention.

Jeremy figured the pathologist for at least sixty-five, maybe older, but Arthur's pink skin glowed with health. A neat, white, mustachless beard, which gave insight into what Lincoln's would've looked like had Honest Abe been allowed to grow old, fringed...

 

Dr. Jeremy Carrier, psychologist at City Central Hospital, is emotionally devastated by the brutal murder of his girlfriend, Jocelyn. As more gruesome corpses turn up, it's clear that a serial killer is preying on local women. Jeremy is drawn into an unexpected friendship with the enigmatic elderly pathologist, Dr. Arthur Chess. When Arthur goes abroad without a word, Jeremy begins to receive anonymous cryptic clues to the identity of the killer. Bob Kahn's reading adds suspense to Kellerman's less than original plot. His portrayal of Jeremy's uncertainty about a new relationship with a fellow doctor, frustration with the police, and confusion over Arthur's role in the mystery adds complexity to flat characters. A.B. (c) AudioFile 2004, Portland, Maine

 

The New York Times Book Review...

"KELLERMAN REALLY KNOWS HOW TO KEEP THOSE PAGES TURNING."

 

Los Angeles Times Book Review...

"Kellerman has shaped the psychological mystery novel into an art form."

 

"A MASTER OF THE PSYCHOLOGICAL THRILLER."

 

The Conspiracy Club by Jonathan Kellerman
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